{"id":1245,"date":"2025-11-23T17:07:39","date_gmt":"2025-11-23T17:07:39","guid":{"rendered":"https:\/\/jazzviolinist.com\/discography\/"},"modified":"2026-03-21T23:21:46","modified_gmt":"2026-03-21T23:21:46","slug":"discography","status":"publish","type":"page","link":"https:\/\/jazzviolinist.com\/en\/discography\/","title":{"rendered":"Discography"},"content":{"rendered":"
\n
\n
\n

Original Albums<\/h1><\/div><\/div>\n\n
\n
\n \n
\n \"Fallen\n <\/div>\n

Fallen Angel<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Adam\u0019s\n <\/div>\n

Adam\u0019s Apple<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Polish\n <\/div>\n

Polish Impressions<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Keep\n <\/div>\n

Keep On Turnin\u0019<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Speaking\n <\/div>\n

Speaking Sound<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Metamorphoses\"\n <\/div>\n

Metamorphoses<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Berek\"\n <\/div>\n

Berek<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Perpendicular\n <\/div>\n

Perpendicular Realities<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Simultaneous\n <\/div>\n

Simultaneous Abstractions<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Expressions\"\n <\/div>\n

Expressions<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Inspirations\"\n <\/div>\n

Inspirations<\/h3>\n
<\/div>\n <\/a>\n <\/article><\/div><\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n
\n
\n
\n

Atom String Quartet<\/h1><\/div><\/div>\n\n
\n
\n \n
\n \"Christmas\n <\/div>\n

Christmas with Atom String Quartet<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Universum\"\n <\/div>\n

Universum<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Essence\"\n <\/div>\n

Essence<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Penderecki\"\n <\/div>\n

Penderecki<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Made\n <\/div>\n

Made In Poland<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Supernova\"\n <\/div>\n

Supernova<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Seifert\"\n <\/div>\n

Seifert<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"AtomSPHERE\"\n <\/div>\n

AtomSPHERE<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Places\"\n <\/div>\n

Places<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Fade\n <\/div>\n

Fade In<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Fade\n <\/div>\n

Fade In<\/h3>\n
<\/div>\n <\/a>\n <\/article><\/div><\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n
\n
\n
\n

Turtle Island Quartet<\/h1><\/div><\/div>\n\n
\n
\n \n
\n \"Confetti\n <\/div>\n

Confetti Man<\/h3>\n
<\/div>\n <\/a>\n <\/article><\/div><\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n
\n
\n
\n

Collaborations<\/h1><\/div><\/div>\n\n
\n
\n \n
\n \"Ride\n <\/div>\n

Ride to Heaven<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Baroque\"\n <\/div>\n

Baroque<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Visiting\n <\/div>\n

Visiting Krzysztof<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Celebration\"\n <\/div>\n

Celebration<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Mazurka\n <\/div>\n

Mazurka Jazz Impressions<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Komeda\n <\/div>\n

Komeda \u0013 Jazz at Berlin Philharmonic XIV<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Parallel\"\n <\/div>\n

Parallel<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"W\u0142adza\n <\/div>\n

W\u0142adza Algorytm\u00f3w<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Jestem\n <\/div>\n

Jestem u siebie<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Ulotne\"\n <\/div>\n

Ulotne<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Fogg\n <\/div>\n

Fogg \u0013 Pie\u015bniarz Warszawy<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Piano.pl\"\n <\/div>\n

Piano.pl<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Atom\n <\/div>\n

Atom Accordion Quintet<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Ogie\u0144\n <\/div>\n

Ogie\u0144 i Woda<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Jazz\n <\/div>\n

Jazz at Berlin Philharmonic III<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"After\n <\/div>\n

After Blue<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"Stories\"\n <\/div>\n

Stories<\/h3>\n
<\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"A\n <\/div>\n

A Tribute To Zbigniew Seifert<\/h3>\n
<\/div>\n <\/a>\n <\/article><\/div><\/div><\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1245","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/jazzviolinist.com\/en\/wp-json\/wp\/v2\/pages\/1245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzviolinist.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jazzviolinist.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jazzviolinist.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzviolinist.com\/en\/wp-json\/wp\/v2\/comments?post=1245"}],"version-history":[{"count":1,"href":"https:\/\/jazzviolinist.com\/en\/wp-json\/wp\/v2\/pages\/1245\/revisions"}],"predecessor-version":[{"id":1246,"href":"https:\/\/jazzviolinist.com\/en\/wp-json\/wp\/v2\/pages\/1245\/revisions\/1246"}],"wp:attachment":[{"href":"https:\/\/jazzviolinist.com\/en\/wp-json\/wp\/v2\/media?parent=1245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}