{"id":1429,"date":"2025-11-22T17:42:37","date_gmt":"2025-11-22T17:42:37","guid":{"rendered":"https:\/\/jazzviolinist.com\/news\/"},"modified":"2026-09-15T23:19:26","modified_gmt":"2026-09-15T23:19:26","slug":"news","status":"publish","type":"page","link":"https:\/\/jazzviolinist.com\/en\/news\/","title":{"rendered":"News"},"content":{"rendered":"<div class=\"et_pb_section_0 et_pb_section et_section_regular et_flex_section\">\n<div class=\"et_pb_row_0 et_pb_row et_flex_row\">\n<div class=\"et_pb_column_0 et_pb_column et-last-child et_flex_column et_pb_css_mix_blend_mode_passthrough et_flex_column_24_24 et_flex_column_24_24_tablet et_flex_column_24_24_phone\">\n<div class=\"et_pb_code_0 et_pb_code et_pb_module\"><div class=\"et_pb_code_inner\">\t<div class=\"msm-wiesci-blok msm-wiesci-spis\">\n\t\t\t\t\t<h1 class=\"msm-pas-tytul\">News<\/h1>\n\t\t\n\t<div class=\"msm-wiesci-lista\">\n\t\t\t\t\t\t\t\t<a class=\"msm-wiesc-wiersz\" href=\"https:\/\/jazzviolinist.com\/en\/nominations-for-the-fryderyk-awards-2026\/\">\n\t\t\t\t<div class=\"msm-wiesc-foto\">\n\t\t\t\t\t<img decoding=\"async\" width=\"1024\" height=\"380\" src=\"https:\/\/jazzviolinist.com\/wp-content\/uploads\/2026\/03\/Nominowani-do-nagrody-Fryderyk-2026-Klasyka-slider-1024x380.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" loading=\"lazy\" sizes=\"(max-width: 860px) 92vw, 430px\" srcset=\"https:\/\/jazzviolinist.com\/wp-content\/uploads\/2026\/03\/Nominowani-do-nagrody-Fryderyk-2026-Klasyka-slider-1024x380.jpg 1024w, https:\/\/jazzviolinist.com\/wp-content\/uploads\/2026\/03\/Nominowani-do-nagrody-Fryderyk-2026-Klasyka-slider-980x364.jpg 980w, https:\/\/jazzviolinist.com\/wp-content\/uploads\/2026\/03\/Nominowani-do-nagrody-Fryderyk-2026-Klasyka-slider-480x178.jpg 480w\" \/>\t\t\t\t<\/div>\n\n\t\t\t\t<div class=\"msm-wiesc-tresc\">\n\t\t\t\t\t<p class=\"msm-wiesc-data\">26 March 2026<\/p>\n\t\t\t\t\t<h2 class=\"msm-wiesc-tytul\">Nominations for the Fryderyk Awards 2026<\/h2>\n\n\t\t\t\t\t\t\t\t\t\t\t<p class=\"msm-wiesc-lead\">Mateusz Smoczy\u0144ski received two nominations in this year\u2019s Fryderyk Awards. The first is for his original album Fallen Angel, recorded with Dominik Wania and the Polish Radio Orchestra in Warsaw under the direction of Micha\u0142 Klauza. The second nomination was\u2026<\/p>\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"msm-wiesc-wiecej\">Read <em aria-hidden=\"true\">&rarr;<\/em><\/span>\n\t\t\t\t<\/div>\n\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<a class=\"msm-wiesc-wiersz\" href=\"https:\/\/jazzviolinist.com\/en\/biesy-first-symphony\/\">\n\t\t\t\t<div class=\"msm-wiesc-foto\">\n\t\t\t\t\t<img decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/jazzviolinist.com\/wp-content\/uploads\/2025\/12\/MateuszSmoczynski-c-joannajanke-_JOW9836-Edit-1024x684.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" loading=\"lazy\" sizes=\"(max-width: 860px) 92vw, 430px\" srcset=\"https:\/\/jazzviolinist.com\/wp-content\/uploads\/2025\/12\/MateuszSmoczynski-c-joannajanke-_JOW9836-Edit-980x654.jpg 980w, https:\/\/jazzviolinist.com\/wp-content\/uploads\/2025\/12\/MateuszSmoczynski-c-joannajanke-_JOW9836-Edit-480x320.jpg 480w\" \/>\t\t\t\t<\/div>\n\n\t\t\t\t<div class=\"msm-wiesc-tresc\">\n\t\t\t\t\t<p class=\"msm-wiesc-data\">28 December 2025<\/p>\n\t\t\t\t\t<h2 class=\"msm-wiesc-tytul\">Biesy \u2013 Smoczy\u0144ski\u2019s First Symphony<\/h2>\n\n\t\t\t\t\t\t\t\t\t\t\t<p class=\"msm-wiesc-lead\">Mateusz Smoczy\u0144ski has completed his composing project \u2014 a first symphony entitled \u201cBiesy\u201d (The Possessed). It is a large-scale work of some forty minutes for full symphony orchestra, inspired by the novel of the same title by Fyodor Dostoevsky. The\u2026<\/p>\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"msm-wiesc-wiecej\">Read <em aria-hidden=\"true\">&rarr;<\/em><\/span>\n\t\t\t\t<\/div>\n\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<a class=\"msm-wiesc-wiersz\" href=\"https:\/\/jazzviolinist.com\/en\/fallen-angel-new-album\/\">\n\t\t\t\t<div class=\"msm-wiesc-foto\">\n\t\t\t\t\t<img decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/jazzviolinist.com\/wp-content\/uploads\/2025\/11\/MateuszSmoczynski-c-joannajanke-_JOW9948-Edit-1024x684.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" loading=\"lazy\" sizes=\"(max-width: 860px) 92vw, 430px\" srcset=\"https:\/\/jazzviolinist.com\/wp-content\/uploads\/2025\/11\/MateuszSmoczynski-c-joannajanke-_JOW9948-Edit-980x654.jpg 980w, https:\/\/jazzviolinist.com\/wp-content\/uploads\/2025\/11\/MateuszSmoczynski-c-joannajanke-_JOW9948-Edit-480x320.jpg 480w\" \/>\t\t\t\t<\/div>\n\n\t\t\t\t<div class=\"msm-wiesc-tresc\">\n\t\t\t\t\t<p class=\"msm-wiesc-data\">20 November 2025<\/p>\n\t\t\t\t\t<h2 class=\"msm-wiesc-tytul\">Fallen Angel \u2013 the new album!<\/h2>\n\n\t\t\t\t\t\t\t\t\t\t\t<p class=\"msm-wiesc-lead\">\u201cFallen Angel\u201d is Mateusz Smoczy\u0144ski\u2019s second symphonic album, following the warmly received \u201cAdam\u2019s Apple\u201d (Warner Music, 2024), whose title concerto opened a new chapter in the artist\u2019s work \u2014 a chapter that \u201cFallen Angel\u201d extends and deepens. It is the\u2026<\/p>\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"msm-wiesc-wiecej\">Read <em aria-hidden=\"true\">&rarr;<\/em><\/span>\n\t\t\t\t<\/div>\n\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<a class=\"msm-wiesc-wiersz\" href=\"https:\/\/jazzviolinist.com\/en\/concert-with-branford-marsalis\/\">\n\t\t\t\t<div class=\"msm-wiesc-foto\">\n\t\t\t\t\t<img decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/jazzviolinist.com\/wp-content\/uploads\/2025\/11\/Branford-Marsalis-i-Mateusz-Smoczynski-Kasia-Stanczyk-1024x684.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" loading=\"lazy\" sizes=\"(max-width: 860px) 92vw, 430px\" srcset=\"https:\/\/jazzviolinist.com\/wp-content\/uploads\/2025\/11\/Branford-Marsalis-i-Mateusz-Smoczynski-Kasia-Stanczyk-980x654.jpg 980w, https:\/\/jazzviolinist.com\/wp-content\/uploads\/2025\/11\/Branford-Marsalis-i-Mateusz-Smoczynski-Kasia-Stanczyk-480x320.jpg 480w\" \/>\t\t\t\t<\/div>\n\n\t\t\t\t<div class=\"msm-wiesc-tresc\">\n\t\t\t\t\t<p class=\"msm-wiesc-data\">1 June 2024<\/p>\n\t\t\t\t\t<h2 class=\"msm-wiesc-tytul\">Concert with Branford Marsalis<\/h2>\n\n\t\t\t\t\t\t\t\t\t\t\t<p class=\"msm-wiesc-lead\">Mateusz Smoczy\u0144ski will perform together with Branford Marsalis! They will perform \u201c2PiX,\u201d a double concerto for saxophone, violin, and orchestra by Smoczy\u0144ski, inspired by the TV series Twin Peaks. The soloists will be joined by the Polish Radio Orchestra in\u2026<\/p>\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"msm-wiesc-wiecej\">Read <em aria-hidden=\"true\">&rarr;<\/em><\/span>\n\t\t\t\t<\/div>\n\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<a class=\"msm-wiesc-wiersz\" href=\"https:\/\/jazzviolinist.com\/en\/mateusz-smoczynski-signs-with-warner-music\/\">\n\t\t\t\t<div class=\"msm-wiesc-foto\">\n\t\t\t\t\t<img decoding=\"async\" width=\"935\" height=\"1024\" src=\"https:\/\/jazzviolinist.com\/wp-content\/uploads\/2025\/11\/Mateusz-Smoczynski-Warner-Music-935x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" loading=\"lazy\" sizes=\"(max-width: 860px) 92vw, 430px\" \/>\t\t\t\t<\/div>\n\n\t\t\t\t<div class=\"msm-wiesc-tresc\">\n\t\t\t\t\t<p class=\"msm-wiesc-data\">23 May 2023<\/p>\n\t\t\t\t\t<h2 class=\"msm-wiesc-tytul\">Mateusz Smoczy\u0144ski signs with Warner Music!<\/h2>\n\n\t\t\t\t\t\t\t\t\t\t\t<p class=\"msm-wiesc-lead\">Mateusz Smoczy\u0144ski joins Warner! The violinist, soloist and composer \u2014 one of the most internationally active Polish musicians, co-founder of the Atom String Quartet, for years a resident of San Francisco, where he worked with the legendary Turtle Island Quartet\u2026<\/p>\n\t\t\t\t\t\n\t\t\t\t\t<span class=\"msm-wiesc-wiecej\">Read <em aria-hidden=\"true\">&rarr;<\/em><\/span>\n\t\t\t\t<\/div>\n\t\t\t<\/a>\n\t\t\t<\/div>\n\t<\/div>\n\t<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1429","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/jazzviolinist.com\/en\/wp-json\/wp\/v2\/pages\/1429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzviolinist.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jazzviolinist.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jazzviolinist.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzviolinist.com\/en\/wp-json\/wp\/v2\/comments?post=1429"}],"version-history":[{"count":1,"href":"https:\/\/jazzviolinist.com\/en\/wp-json\/wp\/v2\/pages\/1429\/revisions"}],"predecessor-version":[{"id":1955,"href":"https:\/\/jazzviolinist.com\/en\/wp-json\/wp\/v2\/pages\/1429\/revisions\/1955"}],"wp:attachment":[{"href":"https:\/\/jazzviolinist.com\/en\/wp-json\/wp\/v2\/media?parent=1429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}